When was logic pro 9 released

You can set the Varispeed playback rate by specifying a percentage, a tempo, or a tuning in either semitones and cents or Hertz. When the Speed and Pitch mode is selected, Logic works like a tape machine, where pitch is also affected by the playback rate, so if you record at half speed, your recording will sound an octave higher when you return to the original tempo. This can be useful for more creative approaches, such as recreating that Oldfield-esque double-speed guitar.

Copying data between different Projects in Logic has never been a particularly enjoyable task. Anything more complicated than dragging a few regions between open Projects was often quite time-consuming, and bringing in a track from another Project meant a great deal of manual labour: creating a track, dealing with Channel Strip settings, and so on. But not any more: Logic 9 introduces a new Track Import view that makes it easy to import tracks and channels from another Project.

Track Import is built into the Media Browser tab in the Arrange window, so you simply navigate to the Project containing data you want to import, double-click the appropriate Logic file, and the Browser will display a list of tracks and channels.

Perhaps my favourite aspect of the Track Import function is that Logic's developers didn't just stop with the ability to add tracks from another Project: there's also the ability to replace tracks. This means that if you have, for example, a vocal track in your current Project, but there's a vocal track in another Project with precisely the plug-ins and settings you want for your current track, you can simply replace your current track with the track from the other project, while keeping the content from your current track intact.

No, that's not the sound of Meg Ryan in When Harry Met Sally, but actually the sound of a Logic user discovering that Logic 9 finally has the ability to use millisecond-based delays on tracks, as well as tick-based delays. This is useful for both technical reasons, such as dealing with latency, and creative ones such as having notes begin just ahead of the beat if a sample has a slow attack.

It was impossible to achieve these results properly with a delay specified in ticks because the length of the delay would vary depending on the tempo. So now, by default, the Delay parameter in the Track Parameter box for External MIDI and Software Instrument tracks sets a delay in milliseconds, although you can still revert back to the tick-based delay if you prefer. There's even a third option for External MIDI tracks called Auto Compensated Delay Offset, where Logic will delay MIDI data on a given track by the current plug-in delay compensation and audio hardware output offsets, along with the user value specified in milliseconds.

Unfortunately, it's still not possible to do this in Logic 9, but on the plus side, Apple have at least expanded the number of key commands to select what type of data is displayed in Hyper Draw. And without having the ability to see multiple Hyper Draw lanes, the next best thing is being able to quickly switch the type of data the one Hyper Draw lane displays. In previous versions, Hyper Draw key commands were only available for Volume, Pan, Modulation, Pitch Bend and Note Velocity types; but in Logic 9 a number of other common Controller types have been added to the list, such as Foot, Expression and Sustain.

Hyper Draw key commands have also been created for the MIDI Controllers 20 to 31, which is an undefined range typically used for custom assignments. And while I think it would still be good have Hyper Draw key commands available for all controllers, I'm really happy that Logic's developers were able to add the extra controllers they did for this update.

As with any major update, there are many more improvements and features that lie beyond those headlining Logic 9's release. Apple claim that there are over new features in the new Logic Studio, and it certainly seems that a large number of these are to be found in Logic itself.

A subtle improvement that you'll notice immediately is that it's now easier to see which editor is active in the Arrange window. Previously, the toolbar for a given area became tinted when it had focus meaning that it was the primary target for key commands , which wasn't always obvious at a glance. The active editor has now been made more obvious with the addition of a bold white outline — and while this might sound insignificant, it actually makes a big difference.

There's also a new way to open editor windows in Logic 9. As with Logic 8, the tabbed buttons along the bottom of the Arrange window toggle the display of integrated editors in the Arrange window; but you can now also use these buttons to 'tear' away an editor into its own window.

Simply click on a tab and drag away from it until you see a new window appear. One potentially useful visual improvement is the ability to resize the graphical editors of Logic's plug-ins to twice their normal size. This will be helpful for users working on large-resolution displays. A new Default Size preference enables you to set how large plug-in windows appear when opened.

However, this sizing only works for Logic's own plug-ins, and, unlike some third-party plug-ins such as u-he's Zebra that offer a similar feature with smooth vector graphics, this new resize function only seems to manipulate bitmap graphics. So the result of the larger plug-in windows is a somewhat grainy display, and is not nearly so sophisticated as Live 8's Zoom Display, which redraws the entire user interface at different magnification levels. Moving away from the more aesthetically oriented changes, the Arrange window offers a new Notes feature, which appears in the right-hand area of the window.

Notes can be made for the Project, and also for each track individually, making this feature handy if you ever need to write down reminders for edits or certain settings and can't remember where you left the Post-Its.

Logic 8 introduced the ability to compile the perfect take using Take Folders and a mode called Quick Swipe. The only slight drawback to Take Folders was that you couldn't edit the takes in the same way you would edit regions normally.

Logic 9 enables you to toggle Quick Swipe when working in Take Folders, so that, when disabled, the normal methods for editing regions in the Arrange window, such as cutting and moving, can be applied.

There's not space to examine these in detail here, so we'll cover them more fully in a future Logic article. Although every manufacturer imparts a slightly different character to their models of the popular amp types, my first impression of the Logic collection was that it works as well as most stand-alone packages, especially for the mildly overdriven blues sounds that are often the hardest to nail. The sounds have a nice up-front character to them without being hard or gritty unless they are supposed to be and though some of the high-gain sounds can get a bit noisy, you can always patch in a gate.

Not everyone likes the aesthetics of the guitar-pedal screen, but I found it perfectly acceptable and very easy to use. I particularly like the way the signal can be split to set up a stereo effects chain with different pedals in each arm, and the convolution-driven spring reverb sounds very real to my ears. Paul White. Logic 9 is a natural evolution from Logic 8.

Apple have refined their flagship music-production application while adding new features to enhance its audio-editing functionality and general usability. Wonderful Varispeed The new Varispeed feature is accessed via the transport bar.

The Varispeed display and button, along with the tempo, are indicated in orange when the feature is active. The Import Business The Import Tracks view makes it possible to import selected features of tracks from other Projects.

Beyond The Headlines As with any major update, there are many more improvements and features that lie beyond those headlining Logic 9's release. Pros Flex Time is one of the easiest-to-use implementations of tempo-oriented audio editing yet seen.

EXS24's usefulness in Logic has once again been expanded with the new audio region conversion and drum-replacement tools. The new Amp Designer plug-in sounds surprisingly good, and even though it's designed for guitarists, such an effect, along with Pedalboard, can easily be perverted for other uses.

Many smaller improvements and features, such as Bounce In Place and the ability to easily import content from other Projects, will make a big difference to demanding Logic users. Cons With the exception of improvements to the Score editor, Logic's abilities as a sequencer remain otherwise unchanged. Summary Logic 9 is a natural evolution from Logic 8. Prices include VAT.

Test Spec Apple Logic Pro 9. Apple Mac Pro with dual 2. Buy PDF version. Previous article Next article. New forum posts Re: Loft conversion best practices? Now firmly in the new millennium, there were an increasing amount of competitive players in the DAW market.

Pro Tools went from strength-to-strength in the studio but also increased their offerings for the home musician. As such, Logic Pro bulked-up throughout the noughties. Version 7 shipped with a broad range of new instruments, including the Sculpture synth, Ultrabeat drum machine and sequencer, and Guitar Amp Pro amplifier simulator. Version 8 saw significant workflow enhancements like Quick Swipe Comping, a built-in browser, production templates, with most features available in a single-window view.

Interestingly, the current version of the software, Logic Pro X, was released all the way back in Flex Pitch has also been included, which is a nod to the increased significance of creative pitch correction in modern pop productions. As it provides such a comprehensive tool-set for music production, Logic Pro has enjoyed the patronage of musicians from myriad genres.

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